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Lully Tutus was born at Rembang on 28th March, 1980. Starting her journey in Fine Arts in 2009, she climbed her career in Fine Arts until now. She did all of her paintings at her art studio which is at Mriyan, Timbulharjo, Sewon, Bantul Regency, Special Region of
Yogyakarta. Having three children and a husband always keeps her company while she paints all her paintings. Lully Tutus has her own style in her paintings. She has mostly fairies, mushroom, and other mythical-cartoon creatures in her paintings. She always said that three
magical creatures come from her imagination and fantasies.

EDUCATION
2021
Department of Accounting, Diponegoro University State Polytechnic, Semarang, Indonesia.
2018
Faculty of Law, Semarang University, Semarang, Indonesia.
SOLO EXHIBITION
2023 “Memanen Angin” Lully Tutus’ First Solo Exhibition, Yogyakarta, Indonesia.
SELECTED GROUP EXHIBITION
2023 “Hamemayu Bhumi Ngayogyakarta” UUK DIY 2023 Anniversary Fine Art
Exhibition, Yogyakarta, Indonesia.
“Mantra Cinta” Women National Fine Art Exhibition #4, Yogyakarta, Indonesia.
“Back Home” Sayap Community Exhibition, Semarang, Indonesia.
“Melayu Serumpun” International Art Exhibition, Malaysia.
International Art Exhibition, Narathiwat, Thailand.
“CATEC” Art Exhibition, Temanggung, Indonesia.

SELECTED GROUP EXHIBITION
2023 “Hamemayu Bhumi Ngayogyakarta” UUK DIY 2023 Anniversary Fine Art
Exhibition, Yogyakarta, Indonesia.
“Mantra Cinta” Women National Fine Art Exhibition #4, Yogyakarta, Indonesia.
“Back Home” Sayap Community Exhibition, Semarang, Indonesia.
“Melayu Serumpun” International Art Exhibition, Malaysia.
International Art Exhibition, Narathiwat, Thailand.
“CATEC” Art Exhibition, Temanggung, Indonesia.

I was born on July 11, 1981 in the Dieng Mountains, Wonosobo City. The city is known as the land above the clouds. I was born from a simple family. My father is a furniture entrepreneur and my mother is a trader. With the simplicity that I experienced, I grew up to be an independent child, even at a young age I was able to earn income from my own hard work. By being independent, I was able to realize my dream as a painter. I learned to paint autodidactically from childhood until I was able to produce work that I was proud of. I am a painter who adheres to the modern decorative flow. I often participate in several painting exhibitions both at home and abroad. The following is my painting which is exhibited at the Kelantan Museum, Malaysia.

Exhibition:

• ‘Sense of Art Final Exhibition’ organised by Insitut Pendidikan Guru ( IPG) Kota Bharu
• “Hari Guru 2015” Art Exhibition organised by Ministry of Education Malaysia
• ‘Alam dan Guru” organised by Institut Pendidikan Guru Ilmu Khas (IPG), Kuala Lumpur.
  -’Minggu Batik Fiesta, University Malaysia Kelantan (UMK)
  -Batik Challenge organised by Yayasan YANAS
  Awards:
• 3rd place Winner of Piala Seri Endon Batik Competition 2004
• 2nd place Winner of Pertandingan Rekacipta Sejadah Peringkat Kebangsaan
• Consolation for Pertandingan Fiesta Batik Malaysia
• Coach for Art Education 2016-2018
• Anugerah Guru Inovatif 2009
• Anugerah Perkhidmatan Cemerlang 2004

Ilyas bin Din, a luminary born on August 11, 1958, in the culturally rich city of Kota Bharu, Kelantan, stands as a distinguished figure in the realm of artistry. His journey as a Painter Gavermen is marked by a lifelong commitment to the canvas, where each brushstroke tells a tale of passion, dedication, and a relentless pursuit of artistic excellence.

Self-taught and driven by an innate artistic spirit, Ilyas embarked on his creative journey, navigating the uncharted waters of the art world with an insatiable thirst for knowledge and a profound connection to his craft. The streets of Kota Bharu, with their vibrant colors and rich heritage, served as a constant source of inspiration for Ilyas, shaping the unique narrative that would come to define his artistic identity.

Over the course of his illustrious career, Ilyas has actively participated in 20 art group exhibitions, each display a testament to his evolving style and unwavering commitment to pushing artistic boundaries. His works, a seamless blend of tradition and innovation, have resonated with audiences and fellow artists alike, establishing him as a pivotal figure in the local art scene.

The pinnacle of Ilyas’s artistic achievements came in 2022 when he was bestowed with the prestigious Consolation award for his outstanding watercolor piece titled ‘A Place Called Home’ at the Arch Bentong Watercolour Competition, hosted by the National Art Gallery. This accolade not only acknowledges Ilyas’s technical prowess but also underscores his ability to infuse emotion and storytelling into his creations.

The winning artwork, ‘A Place Called Home,’ is a masterful exploration of color and form, capturing the essence of a cherished place with a delicate touch that is uniquely Ilyas. The piece, exhibited at both Arch Bentong and the National Art Gallery, serves as a testament to Ilyas’s ability to transcend geographical and cultural boundaries, connecting with viewers on a deeply personal level.

As a Painter Gavermen, Ilyas bin Din continues to enrich the tapestry of Malaysian art, leaving an indelible mark on the canvas of creativity. His journey, marked by self-discovery and artistic evolution, serves as an inspiration for aspiring artists, showcasing the transformative power of passion and perseverance in the pursuit of artistic greatness.

Throughout his career in visual arts, Mohd Adzran has participated in numerous significant exhibitions. In 2023, he took part in the “Melayu Serumpun Visual Art Exhibition” at the Kelantan State Museum, the “Lambaian Kelantan VI Exhibition” at the Kelantan Art Gallery, and the “Affordable Art Exhibition” at Art Friend Kelantan, Kotak Seni, Kota Bharu, Kelantan. The previous year, in 2022, he joined an exhibition titled “A Place Called Home” at Arch Bentong, Bentong, Pahang.

In 2021, Mohd Adzran held his third solo exhibition, “Lakarasa Seni II,” at Galeri Lakarasa, Kota Bharu, Kelantan. In 2020, he participated in the “Southeast Asian Watercolor Exhibition (PACA)” at the National Visual Arts Gallery, Langkawi, as well as the “Art Prosperity with the Community” program at Pulau Gajah, Kelantan, organized by the National Visual Arts Gallery.

Earlier, in 2019, he held his second solo exhibition, “Lakarasa Seni,” at Galeri Al Asr, SMK Zainab 2, Kota Bharu, Kelantan. He also joined the “Lakar Lukis Langkawi APS” at the National Visual Arts Gallery, Langkawi Branch, and the “Langkawi Night Camp” at the same venue. Mohd Adzran’s involvement in these exhibitions has solidified his presence in the visual arts scene, especially in Malaysia.

Pg Zoluaga graduated with a bachelor’s degree in Landscape Architecture from the University of the Philippines at Quezon City, Philippines in 1980, as well as a Bachelor of Science in Architecture from the University of San Agustin at Iloilo City, Philippines five years later.

He is a member of Hubon Madya-as Artist Group, Visayas Islands Visual Artists Association (VIVAA), Art Association of the Philippines (PAP), Lloilo Visual Artists Association(VAA), Philippines Association of Printmakers (PAP), as well as Artista kag Manunulat nga Makibanwahanon (AMBON). He also held the position of Chairman in the Visual Arts Committee of Arts Council of lloilo Foundation., Inc. from 1991 to 1993 and faculty member in Special High School for the Arts located in lloilo National High School for five years.

Furthemore, his talents have been recognised with numerous awards that he received was the champion for costume design during Dinagyang Festival held in lliolo City for the years since 1993.

Born in May 5, 1950, Nunelucio Alvarado lives at Pabrika, Sagay City in the Phillipines. He studied Fine Arts at the University of the Phillipines-Dilliman, and Advertising at La Consolation College School of Architecture and Fine Arts in Bacolod City. He was the founder of Pamilya Pintura, Pintor Kulapol, and an Art Director of Syano Artlink. He was a member of Black Artists in Asia. Alvarado was known locally and internationally for his mostly progressive works of art that depict the faces, plight, and struggle of the Negros-based sakadas (labourers hired from outside) and other marginalised sectors. He was also a founding member of the Concerned Artists of Negros and the Black Artists of Asia.

One must acknowledge that the artistic work of French artist Richard Riani is both unique and compelling. His paintings weave a network of different logical paths, often intersecting at key points marked by instinct. These keylines serve as the initial framework within which the artist later develops the themes of his work.

Undoubtedly, Riani’s artistic expression is distinct, reminiscent of the spirit of the free figuration generation. Alternatively, we can view Richard Riani’s paintings as a significant departure from the conventional traditions of pictorial art. This departure is embodied in his response to the ever-evolving challenges of his social and cultural context, which are constantly influenced by a system that seeks to undermine the creative power of artists from all walks of life.

Richard Riani’s mythological works are characterized by codes and symbols that resonate with the spirit of artists like Miro, albeit with a unique interpretation. In alignment with the spirit of the early third millennium, he shapes his art based on his own ideas and thoughts, infusing it with extraordinary euphoria, a genius-level touch, the precision of his lines, the versatility of his geometric shapes, and atmospheres painted with great creative verve.

Born in Sofia, Bulgaria in 1976, Milena Mladenova is an artist whose profound connection with the world of art began to take shape during her formative years in her native city. Her childhood was marked by a burgeoning interest in the enchanting realm of painting, a passion that ignited during her primary school years. From these early experiences, an extraordinary talent began to blossom, allowing her to transform her emotions, perceptions, feelings, and life experiences into a vivid symphony of colors and shapes.

As Milena traversed the path to artistic maturity, she embarked on a transformative journey. It was a journey that she believed was her destiny – to share her inner world, her creative spirit, and her art with the world. It was at this juncture that she ventured into the realm of abstract art, a genre known for its power to transcend the boundaries of literal representation and connect directly with the soul of the observer.

In the exquisite tapestry of Milena’s art, there exists a kaleidoscope of emotions, experiences, and perceptions. Her work is a reflection of her life’s journey and her unique ability to encapsulate it in a visual form. Every brushstroke, every hue, every form, and every abstract composition speaks to the universality of the human experience, inviting viewers to interpret and appreciate her art through the prism of their own life experiences.

In a fascinating twist of fate, Milena’s journey led her to the United Arab Emirates (UAE), where she has resided for the past 11 years. This rich cultural melting pot has played an instrumental role in her artistic evolution. The interaction of diverse cultures, the merging of traditions, and the dynamic spirit of the UAE have infused her art with new perspectives, fresh insights, and a deeper understanding of the world that envelops us. Her experiences in the UAE have become an integral part of her artistic narrative, adding layers of complexity to her already multifaceted work.

In conclusion, Milena Mladenova’s artistic journey is a testament to the transformative power of art. It’s a journey that began in her early years, guided her through the realms of abstract expression, and continued to evolve through her experiences in the UAE. Her art transcends borders and speaks to the shared human experience, connecting us all through the universal language of color and form. As she continues to navigate the intricate landscapes of her inner world and the world around her, her art remains an ever-evolving testament to the profound beauty and complexity of human existence.

Vladimir Ryabchikov’s artistic journey is a testament to his unwavering dedication and passion for the world of visual expression. Born in Russia in 1967, Vladimir’s artistic odyssey commenced with an education that would lay the foundation for his future creative endeavors. In 1994, he successfully graduated from Rostov State Pedagogical University, a significant milestone that marked the beginning of his formal artistic education.

However, education was just the first step in Vladimir’s artistic evolution. He wasted no time in bringing his artistic visions to life. Just four years after completing his university studies, he ventured into the realm of art exhibitions. His early works hinted at the promise and talent that would soon captivate the world of art.

As a participant in over two hundred group exhibitions in Russia and beyond, Vladimir actively contributed to various influential projects. One such project that significantly shaped his artistic trajectory was “Die Russen Kommen,” which spanned the years from 1992 to 2002. This period was marked by the evolution of his style and the exploration of themes that would become central to his artistic identity.

Vladimir’s artistic prowess didn’t go unnoticed, as he garnered recognition and acclaim throughout his career. He received numerous awards, including the prestigious Golden Diploma for his participation in the Regional Festival “Young Artists of the North Caucasus” in Stavropol. These accolades served as validation of his artistic journey, inspiring him to continue pushing the boundaries of his creativity.

With more than 20 solo exhibitions to his name, Vladimir’s work has not only been admired but also found its place in the hallowed halls of art museums and esteemed private collections. His paintings, each a unique testament to his artistic journey, have resonated with art enthusiasts and collectors in Russia, Europe, the USA, and China, reflecting the universal appeal of his creations.

Currently, Vladimir Ryabchikov resides and works in the bustling and culturally rich city of Moscow, where he continues to draw inspiration from the vibrant artistic scene and the diverse tapestry of life in the Russian capital. As he delves deeper into the realm of art, he remains committed to his craft, striving to create art that not only reflects his own creative evolution but also leaves a lasting impact on the world of visual expression.