One must recognise that the artistic work by French artist Richard Riani is very keen and singular. His painting, signals of different logical routes, which very often intersect in one keylines marked by instinct, of a single jet outlining the initial frame in which, the artist will develop the theme of his work later. There is no doubt that his singular artistic performance is particularly unique or alike the spirit of the generation of free figuration, otherwise we only can attribute and give the painting of Richard Riani, a meaning of a real key break with all scliematiques of the pictorial tradition while proven in incarnation of the spirit in front of scalable vicissitudes of his experience clans a social context and cultural always more mortified and humiliated by a system that continually tries to cancel the power of creative artists under all from latitudes. The mythological works of Richard Riani are represented by codes on symbols that are dear to the spirit of Miro, while understanding its positions well differently, In compliance with the timeliness of the generation of the beginning of the third millennium he develops his painting depending on his own ideas, his thoughts, with the extraordinary capacity for euphoria, with the genius level and the power of its lines, with the varlets of its geometric shapes and its atmospheres painted with great verve creative.